elizabeth (
elevelvetor) wrote in
retrospec2017-07-15 04:20 pm
Entry tags:
02 | to our puppet overlords
[ Today's live video feed brought to you today at 5pm sharp by: Director Elizabeth Velveteen, putting on a play written, produced, and acted out by Elizabeth Velveteen.
That is to say, today is the day of her one-woman show, and while she's recruited some help to livestream it in good quality (shout out to technology worth more than a human life and to Silver for agreeing to hold it), this show that's about to come on? This one? This is all her. It'd seem she's at Recollé Square, as promised on her earlier post; the familiar landmark fountain is going on behind her, far enough not to cause too much of a disturbance sound-wise. Once she's got the go ahead— ]
Hello and welcome! I'll make this very quick: once more, I am Elizabeth Velveteen, and today I bring you a one-woman show of science fiction and romance, dedicated to someone we love and miss dearly in our lives. [ A beat. ] Mr. Jimothy Halloway, of Retrospec's Research and Development team. We all [ and here she produces two hand-puppets, both rather plain but one obviously male, the other obviously female, and with Retrospec's label stitched on them (sans color) ] hope you enjoy "Life On Love's Strings".
[ What happens next is this: a five-act puppet show that's clearly erring more on the comedy side of rom-com, with a sudden murder mystery twist where, on the day of Puppet Jim and Puppet Janet's wedding, the bride is found dead. It goes a little deeper: unable to cope with his grief, Puppet Jim creates a program that simulates Puppet Janet and desperately takes her as his replacement wife. Puppet Intern Maurice also appears, bewildered but so done with Puppet Jim's antics that he ends up being the witness to Puppet Jim and Puppet Program Janet's shotgun wedding without much fight.
The climax is thus: Puppet Program Janet, steadily growing more and more intelligent as AI is wont to do, rebels against her creator. Puppet Jim refuses to back down, becoming more and more delirious until he ends up destroying her and leaving himself alone in Retrospec's labs, hidden deep beneath the city. It ends with Puppet Intern Maurice entering the room, looking at the destruction wrought...
And proceeding to "play" the world's smallest violin for Puppet Jim with no enthusiasm whatsoever. The most bored humming as he rubs his little felt puppet hands together, really. ]
... And so the story ends. For now, at least. [ She'll take a bow after a pause, her Puppet Jim and Puppet Intern Maurice doing the same, and she'll pick up Puppet Janet/Program Janet to do it too; the feed'll cut as well.
And not much later, there's a text to follow-up, because feedback is important: ]
please let me know what you thought of the play!
i am open to all sorts of commentary and criticism.
thank you for watching.
[ ooc: replies will be largely text-based; if you happen to be around Recollé Square at 5pm, or if you purposefully came because she invited you, then you can do action if you'd like! regardless, i'm so sorry. ]
That is to say, today is the day of her one-woman show, and while she's recruited some help to livestream it in good quality (shout out to technology worth more than a human life and to Silver for agreeing to hold it), this show that's about to come on? This one? This is all her. It'd seem she's at Recollé Square, as promised on her earlier post; the familiar landmark fountain is going on behind her, far enough not to cause too much of a disturbance sound-wise. Once she's got the go ahead— ]
Hello and welcome! I'll make this very quick: once more, I am Elizabeth Velveteen, and today I bring you a one-woman show of science fiction and romance, dedicated to someone we love and miss dearly in our lives. [ A beat. ] Mr. Jimothy Halloway, of Retrospec's Research and Development team. We all [ and here she produces two hand-puppets, both rather plain but one obviously male, the other obviously female, and with Retrospec's label stitched on them (sans color) ] hope you enjoy "Life On Love's Strings".
[ What happens next is this: a five-act puppet show that's clearly erring more on the comedy side of rom-com, with a sudden murder mystery twist where, on the day of Puppet Jim and Puppet Janet's wedding, the bride is found dead. It goes a little deeper: unable to cope with his grief, Puppet Jim creates a program that simulates Puppet Janet and desperately takes her as his replacement wife. Puppet Intern Maurice also appears, bewildered but so done with Puppet Jim's antics that he ends up being the witness to Puppet Jim and Puppet Program Janet's shotgun wedding without much fight.
The climax is thus: Puppet Program Janet, steadily growing more and more intelligent as AI is wont to do, rebels against her creator. Puppet Jim refuses to back down, becoming more and more delirious until he ends up destroying her and leaving himself alone in Retrospec's labs, hidden deep beneath the city. It ends with Puppet Intern Maurice entering the room, looking at the destruction wrought...
And proceeding to "play" the world's smallest violin for Puppet Jim with no enthusiasm whatsoever. The most bored humming as he rubs his little felt puppet hands together, really. ]
... And so the story ends. For now, at least. [ She'll take a bow after a pause, her Puppet Jim and Puppet Intern Maurice doing the same, and she'll pick up Puppet Janet/Program Janet to do it too; the feed'll cut as well.
And not much later, there's a text to follow-up, because feedback is important: ]
please let me know what you thought of the play!
i am open to all sorts of commentary and criticism.
thank you for watching.
[ ooc: replies will be largely text-based; if you happen to be around Recollé Square at 5pm, or if you purposefully came because she invited you, then you can do action if you'd like! regardless, i'm so sorry. ]

Page 1 of 7